Jst gain reduction deluxe vocal compressor

#Jst gain reduction deluxe vocal compressor professional
#Jst gain reduction deluxe vocal compressor series

When I was working on consoles I used to do fader riding all the time. his big story was asking Bill to please not put his lit cigarette on the pads of the Neve console. I know he talked about working with Bill a little bit. I had to find that stuff out from other sources. He engineered records for Amy Grant, Carl Wilson, Kris Kristofferson. He was working at Caribou at that time, im gonna shoot him a text and ask him. I may be mistaken but I think my instructor was the engineer for Szymczyk on that record. Joe Walsh's 'Life's been good' is a perfect example.Р”В«ill Szymczyk recorded it on 16 tracks at Caribou Ranch, and if you will take a few minutes and listen to it it becomes very evident there was no way that could have been a continuous multitrack with a track dedicated to each instrument. Second, quite often in the analog era, many hits were mixed in sections and then edited for the final master. Nashville engineers almost never compress vocals, they ride them. Kurt Foster, post: 452937, member: 7836 wrote: i agree that the music is in the transients (and the mids).Р”Р„ couple of points to be made that are relevant to the topic. Source: Pensado's Place, episode 15, Bruce Swedien interview I'm curious to hear what you think about this. My personal opinion is that compression is often over-used by those who are newer to the craft - but that being said, I'd be lying if I said I'd never overconpressed tracks or a mix myself over the years as well. I've never seen an interview where he was asked that question, and to be fair I've never seen hI'm say he didn't use the GR feature on the channels either, although he has been adamant that he never uses compression of any kind on the 2 bus, or on sub-busses, either.

#Jst gain reduction deluxe vocal compressor series

To be clear, he has never said that he has never used compression - to the contrary, he has said that he did use an 1176 on Michael Jackson's vocal tracks on Thriller, describing the amount as just a 'squirt', although he's not defined how much a 'squirt' is in terms of ratio, thresh, attack, release or MU gain.Р”В«ruce is also well known as a lover of the Harrison 32 Series console, a desk which one of the main features of was in-line gain reduction of varying types on every channel in fact, when that console was released, that was one of the big features that made it so attractive.

#Jst gain reduction deluxe vocal compressor professional

We're not talking about a newbie here - as we all know, the guy has recorded and mixed more professional (and incredibly successful) releases than we could ever even hope to accomplish. I don't think it's any secret as to how Bruce Swedien feels about using compression:Р”Р„nd finally, if that doesn't give you an idea about how he feels: